One of the most technically gifted and popular vocalists of the immediate postwar period,
effortlessly walked the line between breezy pop and the more serious art of post-big-band jazz singing. With the help of her husband, top-flight arranger and Capitol A&R director
recorded throughout the '40s and '50s for Capitol and Columbia. She also contributed (with
) to one of the best pop novelty acts of the period, a hilariously inept and off-key satire that saw the couple billed as
Born near Fresno, CA,
Stafford sang from an early age and was classically trained, though she later joined her sisters in a country-tinged act (associated for a time with
Joe "Country" Washburne). At the age of just 17, she became the first female voice in the seven-man vocal act known as
the Pied Pipers. Soon after the group joined
the Tommy Dorsey Orchestra in 1939, however, it was pruned to a quartet (which also included
Stafford's first husband, co-founder
John Huddleston). The group appeared on several of the
Dorsey band's hits of the early '40s, a few of which paired them with
Frank Sinatra.
Stafford gained her first solo spots on a pair of
Dorsey band hits, "Yes, Indeed!" and "Manhattan Serenade." She finally left
the Pied Pipers for a solo contract in 1944 (she was replaced by
June Hutton), though the group provided backup for many of her initial solo hits.
Not only signed to Capitol but able to preview hit songs as the co-host of label founder
Johnny Mercer's radio program,
Stafford hit the charts with the mid-'40s songs "Long Ago (And Far Away)," "I Love You," and "Candy." The latter, a duet with
Mercer and
the Pied Pipers, became her first number one. In 1948, her duet with
Gordon MacRae on "My Darling, My Darling" became her second. She later moved to Columbia and recorded the two biggest hits of her career, 1952's "You Belong to Me" and 1954's "Make Love to Me."
Stafford gained her own television program during the mid-'50s, and also recorded the first LP by
Jonathan & Darlene Edwards,
American Popular Songs. (It wasn't the first time
Stafford had used a pseudonym, however; in 1947, she billed herself as
Cinderella G. Stump to record a cover of the cornpone single "Temptation [Tim-Tay-Shun].") Though she slipped from the charts in the late '50s and retired from performance,
Stafford continued to record for many years and issued the LP
Getting Sentimental Over Tommy Dorsey on Reprise in 1963. She also founded Corinthian Records, with
Weston, to reissue the couple's various recordings.
–
John Bush, Rovi